BODYTRAFFIC: The new kid on the block (Broad Street Review)March 25, 2014
By Gary DayFor Broad Street Review
In case you havent noticed, modern dance is booming, with new high-caliber companies springing up in major cities around the country and quickly arranging successful nationwide tours. BODYTRAFFIC is one of those newbies, founded in 2007 by dancers Tina Finkelman Berkett and Lillian Rose Barbeito, and the company will be making its Dance Celebration debut at the Annenberg Center on April 3-5.
According to Berkett, when she and Barbeito migrated from New York to L.A., We both felt a lack of quality contemporary dance in the area. We perceived a strong demand in Los Angeles for work that is both entertaining and fulfilling. They founded BODYTRAFFIC, serving as co-artistic directors and regular company dancers. (Barbeito has since retired as an onstage dancer, while Berkett continues in both roles and will be featured in one of the new pieces set to be seen at the Annenberg.)
One big difference
BODYTRAFFIC is different from many smaller dance companies in that, from the beginning, they have not had a house (or resident) choreographer. We choose to work with choreographers who are distinctive, versatile and diverse, explains Berkett. We bring in the best people from around the world to create works with us that are both entertaining and challenging as well as, when possible, being accessible to new fans of modern dance.
That approach has worked well, earning accolades and an ardent following in their home city of Los Angeles almost from the beginning. The company made Dance Magazines list for Top 25 to Watch in 2013.
A MacArthur grant, Martha Graham, Michael Jackson, and more
The current program coming to the Annenberg promises to live up to BODYTRAFFICs short but sparkling reputation for both quality and entertainment value. The program of all-new works kicks off with prominent Israeli-American choreographer Barak Marshalls piece, and at midnight the green bride floated through the village square..., which features an eclectic sound score ranging from traditional Yiddish, Latino and Judeo-Arabic sayings.
Recent MacArthur genius Award-winner Kyle Abraham follows up with Kollide, his first new piece since winning the MacArthur. This is described as a fusion of ballet and hip hop in a fluid, sensual style that draws on the vocabularies of Merce Cunningham, Martha Graham and Michael Jackson.
Wrapping the evening up will be o2Joy by Richard Siegal (a winner of the Munich Dance Award), which pays a cheerful tribute to American jazz standards by, among others, Ella Fitzgerald, Billie Holiday, and Glenn Miller.
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